Charles
Cooper
Bio
Charles Cooper is currently an instructor at the University
of the Arts in Philadelphia. He has been exhibiting his work
regularly since 1986 and his paintings are in the collections
of the Delaware Art Museum and the Newark Museum. In 2001 he
was awarded with the Purchase Award for a work of distinction
from the Perkins Center for the Arts in New Jersey, and in 2002
he received the Venture Fund Grant from the University of the
Arts. Cooper received his MFA from Yale University and his BFA
from The University of the Arts in Philadelphia. He lives in
Willingboro, New Jersey.
Statement
What I see influences me, but what
I sense inside me influences me more. Although I often begin
from observations, my dreams, memories, and subjective responses
to experiences are an important reservoir of material upon which
I draw. These particular paintings grow out of my fascination
with the concept of a picture within a picture and dialogue
between exterior and interior spaces in all its many possible
meanings. They are also very much influenced by my interest
in Indian miniature painting, Gothic painting, and the expressionist
figurative work of the 1950s.
In this current body of paintings,
direct observation of the human figure or still-life objects
are freely combined with more invented elements to create images
that are full of enigmatic elements, ambiguous relationships,
and metaphorical overtones. My ideas are either developed through
a series of studies and experimentations in a variety of media
or in a give and take process in the actual painting. I am consciously
trying to balance the necessity of the representational image
with the expressive imperatives and a sense of pictorial construction.
As the process unfolds, I try to be open to what the painting
wants to become and what is discovered along the way.
Painting for me provides an arena
for discovery, revelation, and testimony. I have come to view
my work as analogous to dream making. In the work, the world
of the exterior and interior are integrated, re-structured,
condensed, or layered into a paradoxically cohesive whole that
maintains its sense of incongruity and fragmentation. This is
also why the principle of collage has grown increasingly important
in my creative process and a fitting metaphor in how I experience
the world.
Images
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